Foreword by LYDIA LUNCH. Introduction by KID CONGO POWERS

The Bob Bert artist compendium of photography and interviews, establishing his irreplaceable link between the 70s No Wave movement and contemporary noise rock. Although Bert’s immediate work is best known drumming in his wide array of musical projects (such as SONIC YOUTH, PUSSY GALORE, CHROME CRANKS, LYDIA LUNCH) since the early 1980s, the focus of his book isn’t drum-centric as it is an encapsulation of the artistic world he’s developed within. It’s not a drumming instructional guide, or a critical assessment of how the drummers in bands are treated, but a 200+ pg guide through Bob’s musically adventurous life, and what a ride! Starting out with his teenage love of photography and his process of capturing the underground downtown figureheads as well as the emerging unknown No Wave bands, Bob was just as much of an enthusiastic fan of music as he was a fixture in some of the most crucial music of the 80s, 90s, and beyond.

But Bob Bert wasn’t just that figure of intersectional commonality of SEVERAL pivotal bands with an edge over the last 30 years, oh no. He also has (not surprisingly) impeccable taste in music and culture, which could only sprout forth in the 1990s with an inevitable ‘zine,’ and thus, BB Gun Magazine was born. Spanning from 1995 until 2004, and covering emerging underground music, film, and outre artists sub-underground, as well as Hollywood-level impresarios, I’m Just the Drummer contains a wealth of interview excerpts from the elusive original magazines, along with his photography accompaniment. From NANCY SINATRA to VINCENT GALLO, and from SUICIDE to CYNTHIA PLASTER CASTER, Bert’s undeniable love and fascination of his subjects is hard to conceal, and his book is a perfect representation of an ongoing life of true adventure, traveling the world, and illuminating the darkest corners of our cultural curiosities.