Chester Alan Arthur 1881 — a presidential portrait of the unlikely gentleman from New York, elevated from the Custom House to the White House by Garfield's assassin's bullet. The lithograph carries the full whiskered dignity of the Gilded Age executive, a man who reformed the spoils system that made him.

About the Source

Bella Frye sources artifacts from the great American historical archive — the Library of Congress, the National Archives, regional historical societies, and the lithographic publishers (Currier & Ives, Kurz & Allison, Endicott, Sarony, Prang) who documented the republic from its founding through the early twentieth century. The aged paper tone, the engraver's hand, and the original plate annotations are preserved in the print.

Materials & Finish

Printed to order in our Pacific Northwest studio on premium 380gsm cotton canvas with archival pigment inks. Hand-finished and framed in our signature ornate frame with verdigris corner detail, available in three finishes:

• Ebony — deep black with carved ornate detailing; dramatic against light walls
• Verdigris — aged copper-green with antique patina; the signature Bella Frye look
• Bourbon — warm walnut tone with ornate relief; rich and historically grounded

Stretched canvas (frameless gallery wrap) is available for those who prefer a frameless presentation.

Where It Belongs

Libraries, studies, civic offices, monument-rooms, and any space drawn to the long, complicated work of rebuilding after the war. Pairs naturally with other documents from the Bella Frye Republic collection — political broadsides, presidential portraits, military scenes, and the artifacts of American memory.

• Premium 380gsm cotton canvas, archival pigment inks
• Three frame finishes: Ebony, Verdigris, Bourbon
• Stretched canvas option available
• Hand-finished in our Pacific Northwest studio
• Arrives ready to hang
• Free shipping on every order, ships next business day