TV Standard: NTSC
Aspect Ratio(s): Vista

Credits:

Chantal Akerman,Delphine Seyrig,Aurore Clement

Description:

Revolutionary filmmaker Chantal Akerman - The world trembles at this minute and enormous story of "I I, You, He, She. Akerman's feature debut. A young woman, played by herself, moves furniture in her room, writes letters, and munches on sugar in the nude. She eventually leaves her room, joins a truck driver, and makes love to a woman in a house she visits. ...... A portrait of "I" by Akerman, who was 24 years old when the film was shot. The monochrome depiction of a bleak space and monotonous actions highlight her sense of entrapment and loneliness. In the latter half of the film, the artist dramatically expresses her pleasure by violently overlapping her body with that of a woman, as if in a dance. By watching her journey with a sense of tension, we will share the "time" with her. Jeanne Dielmann, 1080 Brussels, 23 rue de Commerce The first place of the best film of all time, as selected by the world's film critics and researchers by Sight & Sound magazine, published by the British Film Institute in 2022. Jeanne, a housewife, lives with her adolescent son in a Brussels apartment. She heats the water, peels potatoes, goes shopping, and lives an "ordinary" life, but... The repetitive routine of daily life is shown by a camera set up in an apartment room as if it were a fixed point of observation. The elaborately calculated direction and relentless depiction of every action, gesture, and action make us feel the passage of time. Delphine Seyrig of "Last Year in Marienbad" (1961) and "The Secret Pleasures of the Bourgeoisie" (1972) plays Jeanne in this monumental masterpiece by Akerman. The Meeting of Anna." The third feature-length drama by Akerman. To promote her latest film, filmmaker Anna travels by train through European cities and meets all kinds of people. Interspersed with contacts with teachers, her mother, and her mother's friends, the film depicts a protagonist who constantly wanders in solitude through fragmented spaces and times that do not fit into her daily life. This unique film incorporates Akerman's sharp observation of human nature in a screen that is stylistically distinguished by its restrained dialogue. The cast includes Aurore Clément (Paris, Texas, 1984), Helmut Grimes (Cabaret, 1972), Magali Noël (Fellini's Amarcord, 1973), Léa Masséry (Curiosity, 1971), and Jean-Pierre Cassel (The Shadow Army, 1969). The cast is all assembled.