This publication is the companion piece of Battlefield, an artwork by Gabriella Hirst—a garden of plants whose officially registered cultivar names reference theaters of war, armed conflict, and the military. The plant varieties were bred and given these names over the last 500 years by various nurseries and individual breeders, for example, Peony “Victoire de la Marne” (registered and named in 1919); Rosa polyantha “Dunkerque” (1950); Rosa floribunda “Atombombe” (1953). Hirst has been researching, assembling, and tending to these plants since 2014 in the community gardens of the Tempelhofer Feld, Berlin, as part of a durational project questioning how the cultural memory of violent events is “gardened.” The histories represented in the Battlefield garden are weedy, overgrowing, and rhizomatic. As a long-term project requiring constant pruning, winter-care, pricking-out, sowing, and reaping, the Battlefield project addresses entanglement of care and dominance in both western gardening practice and the historiography of war.

The Battlefield publication includes an index of the stories behind every plant in the Battlefield living garden archive, including excerpts from email correspondence with plant societies, gardening blogs, horticultural archives, plant care tips, personal anecdotes, and speculations alongside compiled ephemera and research material gathered from the Battlefield project from 2014 to the present day, in its current expanded installation at the Gedenstätte Augustaschacht, Ohrbeck, Germany. A first edition of the Battlefield publication was previously released by Gabriella Hirst with Anna Voswinckel and Kunsthalle Osnabrück, in conjunction with the artist's eponymous solo exhibition at Kunsthalle Osnabrück (2022–23), which was curated by Anna Voswinckel and Anja Lückenkemper.

The current publication is a new and expanded edition, featuring an essay by Gabriella Hirst, a commissioned text by curator and researcher Anja Lückenkemper, as well as a poster-dust jacket showcasing the planting guide from the Battlefield installation at Kunsthalle Osnabrück.

The Battlefield publication has a companion website.

Gabriella Hirst was born and grew up on Cammeraygal land/Sydney in 1990 and is currently living in Berlin. She in a writer and artist working primarily with moving image, installation, performance, and with the garden as a site of critique and care. Her recent projects have been exhibited and commissioned by the Kunsthalle Osnabrück (DE); the Center for Art Research and Alliances (USA); the Wende Museum (USA); Focal Point Gallery (UK); and The Art Gallery of New South Wales, the Australian Center for the Moving Image (AU). She is the recipient of the 2020 ACMI/Ian Potter Moving Image Commission, the Marten Bequest Scholarship and the Villa Romana Testing Grounds residency 2024. She has presented performance lectures at Dia Art Foundation NYC, the Victorian College of the Arts and the Sainsbury Sculpture Center (UK), and from 2020–23 led the seminar section "Practices of Care and Control" as part of the Media Studies department of the Royal College of Art, School of Architecture, London.

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