A1. Não Identificado (Caetano Veloso)
A2. Sebastiana (Caetano Veloso)
A3. Lost In The Paradise (Caetano Veloso)
A4. Namorinho De Portão (Tom Zé)
A5. Saudosismo (Caetano Veloso)
A6. Se Você Pensa (Roberto Carlos-Erasmo Carlos)
B1. Vou Recomeçar (Roberto Carlos-Erasmo Carlos)
B2. Divino, Maravilhoso (Caetano Veloso-Gilberto Gil)
B3. Que Pena (Ela Já Não Gosta De Mim) (Jorge Ben) 
B4. Baby (Caetano Veloso)
B5. A Coisa Mais Linda Que Existe (Gilberto Gil-Torquato Neto)
B6. Deus É O Amor (Jorge Ben)

Essential 1969 album from Gal Costa, one of the defining voices of the Tropicalia movement.

It showcases a bold fusion of psychedelia, Brazilian pop, rock, and samba, featuring standout tracks like Caetano Veloso’s ‘Baby’ and Caetano and Gilberto Gil’s ‘Divino Maravilhoso,’ as well as songs written by other iconic artists such as Jorge Ben and Erasmo Carlos.
A timeless classic that still sounds fresh and relevant. 180g vinyl reissue.

Released in 1969, “Gal Costa” is the album that cemented Gal as one of the boldest voices of Brazil’s Tropicalia movement—and it still sounds thrillingly alive today. Coming right after the genre-shaking “Tropicália ou Panis et Circencis”, this LP captures a moment when Brazilian music was breaking rules, blending psychedelia, rock, samba, and poetic experimentation into something totally new.

Gal’s voice is the real star here: warm, fearless, and incredibly expressive. She moves effortlessly from soft, intimate moments to explosive, full-throttle performances, always sounding confident and emotionally present. Backed by adventurous arrangements and songs from key Tropicalia figures like Caetano Veloso and Gilberto Gil, the album feels both playful and politically charged, even when it’s being subtle.

Several tracks stand out as absolute classics. ‘Baby’ is a highlight right away—cool, tender, and deceptively simple, with Gal delivering Caetano Veloso’s lyrics in a way that feels both innocent and quietly radical. On the other end of the spectrum, ‘Divino, Maravilhoso’ is pure intensity: urgent, raw, and electrifying, capturing the restless spirit of the era and showcasing Gal’s power at full blast. ‘Não Identificado’ leans into dreamy psychedelia, floating between romance and cosmic imagery, while ‘Que Pena’ shows her knack for turning heartbreak into something irresistibly melodic and catchy.

What makes this record special is its balance. It’s experimental without being alienating, sophisticated without losing its groove. Tracks flow naturally, pulling you into a colorful, slightly rebellious world that reflects the cultural tension and creativity of late-’60s Brazil. If you’re curious about Tropicalia or just want a timeless album driven by pure vocal charisma, “Gal Costa” (1969) is an essential listen.